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Interesting question. Yeah, I think one way to approach this would be to do reverse chaining from the end of the passage up until that tricky interval. And then you could do some deliberate practice to see if you can figure out the solution to that interval (even if you can’t get it perfect). And then you could do the inside-out chaining, where you start with that tricky interval, and then add the note after, add the note before, after, before, and work a few notes in each direction, and then try to then play the whole chunk altogether, because you’ve already chained the first few beats, and the last few beats, so there’s no reason to have to re=chain the whole thing one note at a time. Does that make sense?
